An artist's statement (or artist statement) is a brief verbal representation (didactic, descriptive, or reflective in nature) created by the artist about his or her own work.
It is a text composed by an artist and intended to explain, justify, extend, and/or contextualize his or her body of work. Artists often write a short (50-100 word) and/or a long (500-1000 word) version of the same statement, and they may maintain and revise these statements throughout their careers.
The writing of artists' statements is a comparatively recent phenomenon. In some respects the practice resembles the art manifesto and may derive in part from it. However, the artist's statement generally speaks for an individual rather than a collective, and is not strongly associated with polemic. Rather, a contemporary artist may be required to submit the statement in order to tender for commissions or apply for schools, residencies, jobs, awards, and other forms of institutional support. In their 2008 survey of North American art schools and university art programs, Garrett-Petts and Nash (2008) found that nearly 90% teach the writing of artist statements as part of the curriculum; in addition they found that, "like prefaces, forewords, prologues, and introductions in literary works, the artist statement performs a vital if complex rhetorical role: when included in an exhibition proposal and sent to a curator, the artist statement usually provides a description of the work, some indication of the work's art historical and theoretical context, some background information about the artist and the artist's intentions, technical specifications—and, at the same time, it aims to persuade the reader of the artwork's value. When hung on a gallery wall, the statement (or "didactic") becomes an invitation, an explanation, and, often indirectly, an element of the installation itself" ("Re-Visioning).
On two occasions, artists' statements have been the subject of gallery exhibition. The first exhibition of artists' statements, The Art of the Artist's Statement, was curated by Georgia Kotretsos and Maria Pashalidou at the Hellenic Museum, Chicago, in the spring of 2005. It featured the work of fourteen artists invited to create artwork offering a visual commentary on the subject of artist statements. The second exhibition, Proximities: Artists' Statements and Their Works, was installed in the fall of 2005 at the Kamloops Art Gallery, Kamloops, British Columbia. Co-curated by W.F. Garrett-Petts and Rachel Nash, the exhibition asked nine contributing artists to respond to the topic of “artists’ statements”—taking one or more of their own artist’s statements and working with the text(s) in a manner that documented, represented, and annotated the original work, creating a “new work” in the process.